Research often leads to new questions. This month, Jennifer DeLapp-Birkett takes us through new questions and possible answers from her summer research into Copland's Prelude for Piano Trio.
Read moreMany know of Aaron Copland the composer, writer, educator, and conductor, but far fewer have had the chance to know the man himself. Vivian Perlis, founding director of the Oral History Project in American Music & co-author of Copland’s autobiographies, not only takes us through the life of this great American composer, but also shows us a small window into what it was like to know the man behind the music.
Read More about The Man Behind The MusicAaron Copland's music is still widely performed around the world today. Find upcoming concerts and information in the performance calendar.
Performance CalendarResearch often leads to new questions. This month, Jennifer DeLapp-Birkett takes us through new questions and possible answers from her summer research into Copland's Prelude for Piano Trio.
Read moreWe’ll be taking a break from our regular monthly series for the summer. In the meantime, enjoy one of our first Midday Thoughts on how Copland’s music has transcended genre boundaries for decades.
Read moreCopland's Prelude for Piano Trio is about to step out of the shadows. Ninety-nine years after he first wrote the music, his arrangement of orchestral music that he wrote for Nadia Boulanger has finally seen publication.
Read moreAaron Copland’s legacy as the Dean of American Music lives on through a series of grant programs managed by the Aaron Copland Fund for Music. Each year, the Fund awards more than $1 million in grants to ensembles, presenters, service organizations, and more for projects and general other entities to support public knowledge and appreciation of contemporary American music.